After Hours began with the decision to stop trying to make everything behave.

Built through layers of paint, graphite, oil pastel and instinctive mark-making, the collection explores what happens when something is made, obscured, scraped back and allowed to remain imperfect. Warm rusts, bruised blues, dusty pinks and flashes of unexpected color move between dense passages and open space, leaving evidence of what came before.

Each piece is an original, created through a process of adding and taking away — following the marks that feel right, burying the ones that don't, and sometimes discovering that the most interesting part is what remains.

A collection about instinct, interruption, and letting a little mess show.